Iconoclasts is a marriage of opposites: automaton-like discipline and total abandon. “The world is full of shit/And full of evil,” von Hausswolff shouts on “Facing Atlas” as waves of sound swell around her. From there, she downshifts into the 11-minute, multi-section “The Iconoclast,” a giant, roiling, dynamic work made up of shifting strings, tribal drums, and discordant noise. - SLANT MAGAZINE
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