The Sunday Painters, Hugh Masekela, Julie Driscoll, Moby, Gracie Abrams, Electric Wizard,
͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
Masekela '66 - '76 is a 7xLP box set chronicling Hugh Masekela’s groundbreaking decade of Afro-jazz innovation. Spanning vibrant township grooves to global hits, this essential collection captures the legendary trumpeter’s creative peak and enduring influence.
|
|
|
Open by Julie Driscoll, Brian Auger & The Trinity is a 1967 album that fuses jazz-rock improvisation, soulful vocals, and psychedelic pop. Driven by Auger’s dynamic Hammond organ and Driscoll’s expressive voice, it’s a boundary-pushing classic that defined a bold new sound in British music—and its influence still echoes today.
|
|
|
|
|
Nuggets: Original Artyfacts From The First Psychedelic Era 1965-1968 is a legendary double LP on psych splatter vinyl, curating the rawest American garage and psychedelic rock from 1965–68. Compiled by Lenny Kaye, this 1972 collection defined the genre and inspired generations of punk and indie bands
|
|
|
Ted Lucas self-titled album is a cult folk-psych classic, originally released in 1975. Blending gentle acoustic guitar, dreamy vocals, and subtle Eastern influences, it’s a deeply introspective record that has quietly grown in stature among collectors and musicians alike.
|
|
|
|
|
© Dutch Vinyl Record Store
269 Johnston street, Abbotsford, Australia, 3067
This email was sent to xxx@ureader.com because you've subscribed on our site or made a purchase.
Edit preferences |
|
|
|
|
|
|
|
|
